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In a mansion on the outskirts of Seoul lives one of South Korea's richest families. Although nominally headed by a prominent businessman, it's his wife Madame Baek who's really in control. Her personal secretary, a handsome young man newly introduced to the world of power, deals with the family's immoral-and frequently illegal-activities while he waits for his own opportunity to make it rich. But everything changes when an affair upsets the household's balance of power, and an unexpected arrest threatens to expose the family's tawdriest secrets. (c) IFC
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Release Date The Taste of Money Jan 25, 2013 Limited
Genres The Taste of Money : Art House & International,Drama

The

Story Line For The Taste of Money


Total Vote User The Taste of Money : 237 Visitor
User Ranting The Taste of Money : 2.5
User Percentage For The Taste of Money : %
User Count Like for The Taste of Money : 95
All Critics Ranting For The Taste of Money : 5
All Critics Count For The Taste of Money : 6
All Critics Percentage For The Taste of Money : 33 %

Actors For The Taste of Money

Kang-woo Kim,Baek Yoon-sik,Youn Yuh-jung,Kim Hyo-jin,Maui Taylor,On Ju-wan,Kwon Byeong-gil,Hwang Jeong-Min,Darcy Paquet,Gal So-won,Baek Yun-shick,Kim Gang-woo,Baek Yun-shik,Yun-Shik Baek,Hyo-jin Kim,Yeo-jeong Yoon


Review For The Taste of Money

Both bitter and delicious.
A.O. Scott-New York Times

Is there such a thing as "tastefully smutty"? Director Im Sang-soo's moody and semi-Shakespearian The Taste of Money walks that line with some artfully lit humping and cross-generational seduction.
Chris Packham-Village Voice

A trite and tangled potboiler that, despite its polemical pretensions, is just a glorified Korean domestic drama with classier couture and shapelier champagne flutes.
Maggie Lee-Variety

For all the revelations about the way the rich operate, there's little juicy pleasure to be had in the proceedings.
Andrew Schenker-Slant Magazine

As the sexual, financial and criminal shenanigans get ever more complicated, absurd and melodramatic, the film becomes increasingly tiresome; it's not even possible to enjoy its excesses in a 'so bad it's good' way.
Geoff Andrew-Time Out

There is no real story to tell here, just a bunch of old fashioned, tired clichés spiced with references to various sensational front-page scandals, all of it reprocessed to look like an original script.
Dan Fainaru-Screen International


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