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Story Line For Les Misérables | |
| Prisoner 24601, known as Jean Valjean, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set post-revolutionary France, the story reaches resolution against the background of the June Rebellion. | |
| Total Vote User Les Misérables : 54,944 Visitor | |
| User Ranting Les Misérables : 4.1 | |
| User Percentage For Les Misérables : 83 % | |
| User Count Like for Les Misérables : 124,577 | |
| All Critics Ranting For Les Misérables : 7 | |
| All Critics Count For Les Misérables : 210 | |
| All Critics Percentage For Les Misérables : 70 % | |
Actors For Les Misérables | |
Review For Les Misérables | |
| Hooper's 'Les Misérables': Bloated anti-musical Joe Baltake-Passionate Moviegoer Fans of the original production, no doubt, will eat the movie up, and good luck to them. I screamed a scream as time went by. Anthony Lane-New Yorker ... Jackman, who should get a Nobel Prize for the way he carries pretty much the whole undertaking on his shoulders, so protean and virile is his singing and acting throughout. Glenn Kenny-MSN Movies Here it is, "Occupy Movement: The Musical," "Les Miserables" preaching economic revolution, the downtrodden rising up against the wealthy few and a police force hellbent on defending the status quo Roger Moore-McClatchy-Tribune News Service At the heart of the "Les Misérables" movie was a good idea that just didn't work out this time. The idea was that the actors should sing their songs live on camera. Mick LaSalle-San Francisco Chronicle We're all familiar with the experience of seeing movies that cram ideas and themes down our throats. Les Misérables may represent the first movie to do so while also cramming us down the throats of its actors. Dana Stevens-Slate Hugh Jackman is sensational as zero to hero Valjean. Few can sing, dance and act like him. Here, he combines all three to glorious effect. And perhaps his most underrated quality is his greatest, Jackman is just so darn likeable. Brian Henry Martin-UTV Les Misérables has enough genuinely emotive power in its tank to guarantee a lot of people enormous pleasure. Graham Young-Birmingham Mail Bombastic, overblown, overlong, needlessly convoluted and full of simplistic characters, some terrible performances and a constant, cochlea-cracking racket on the soundtrack ... Alistair Harkness-Scotsman A work of unusual power and colour. Philip French-Observer [UK] This is a Sing-A-Long Review. Press play on the backing track to "I dreamed a dream" before reading. Ed Whitfield-The Ooh Tray It made me bad-tempered for two days, a personal record. David Sexton-This is London Those who get on with tunes will barely notice the hours flying past. Of course, if you hate the show, you'll hate the film. Donald Clarke-Irish Times Starting at full-emotion and never wavering for a moment, this huge movie adaptation of the long-running stage musical wears us out with its relentlessly epic approach. Rich Cline-Contactmusic.com It's Jackman, with his background in musical theatre, who stands out - somehow managing to anchor the whole thing and stop it becoming the bloated monster it threatens to be. Alex Zane-Sun Online A bold filming of a theatrical classic, anyone with a fondness for the original production and a wee greet will lap this up. Chris Fyvie-The Skinny Like being trapped in Disney jail with the kids from Fame. For five consecutive life sentences. David Jenkins-Little White Lies Les Misérables? More like Meh Misery-blah-blah. Ali Gray-TheShiznit.co.uk The lavish, formidable production will delight fans but I doubt the uninitiated will be won over the barricade. Frances Morton-Flicks.co.nz This is a movie about suffering with no jagged edges. Antonia Quirke-Financial Times C'est magnifique. Henry Fitzherbert-Daily Express At the end of 158 minutes, you really have experienced something. What exactly, I'm still not sure. Peter Bradshaw-Guardian [UK] Hugely enjoyable, powerfully emotional musical with superb songs, stunning set design and a series of brilliant performances from a note-perfect cast. Matthew Turner-ViewLondon There is a sense of danger in performances that are called upon to hit high musical and emotional notes simultaneously. Amber Wilkinson-Eye for Film It's great to have a film which touches and moves you. Just be prepared to leave the cinema feeling emotionally drained. Roz Laws-Birmingham Post Spectacular to look at and often poignantly beautiful to listen to, this won't disappoint the millions who have sighed at the stage play. Tim Evans-Sky Movies | |
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