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Story Line For Amour | |
| Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested. | |
| Total Vote User Amour : 10,762 Visitor | |
| User Ranting Amour : 4.1 | |
| User Percentage For Amour : 87 % | |
| User Count Like for Amour : 6,188 | |
| All Critics Ranting For Amour : 8.6 | |
| All Critics Count For Amour : 127 | |
| All Critics Percentage For Amour : 91 % | |
Actors For Amour | |
| Jean-Louis Trintignant,Emmanuelle Riva,Isabelle Huppert | |
Review For Amour | |
| Each actor draws on a lifetime's worth of experience, performing with grace and rare, uncompromising realism. Colin Covert-Minneapolis Star Tribune There's nowhere to hide: The film cuts no corners and stings with the authenticity of life's fragility. Chris Vognar-Dallas Morning News The movie avoids melodrama; instead, it's just extraordinarily intimate, with touches of visual poetry like the pigeon that gets into the apartment and won't leave, an image of our own heedless tenacity. Ty Burr-Boston Globe The film is a graphic portrayal of the unfunny end game we're all fated to play; the title is just a simple declaration of how best to play it. Rick Groen-Globe and Mail "Amour" is also unforgettable and one of a kind, two hours of torment that, in the end, you will probably not regret. Mick LaSalle-San Francisco Chronicle Small, sure and stunningly acted, this is a picture of exacting control, which is to be expected from Haneke, whose works include Cache and The White Ribbon. Michael Phillips-Chicago Tribune A bitter, pitiless piece of work. We can admire its components, but we're repulsed by its vision. Kelly Vance-East Bay Express Haneke's self-indulgent approach is getting old to me. His devoted fans will like it, but others will most likely be scratching their heads trying to figure out how this got a Best Picture nomination. Austin Kennedy-Film Geek Central It's upsetting material lined with lead by Haneke, who searches for the meaning of love but can't help but dwell on the details of decay. Brian Orndorf-Blu-ray.com Amour is as heartbreaking and real as it gets. Mark Sells-The Reel Deal Tough and beautiful, it secures Haneke's reputation as one of the world's best. Chris Hewitt (St. Paul)-St. Paul Pioneer Press Two of the world's best actors, Jean-Louis Trintignant and Emmanuelle Riva, play Amour's octogenarian couple, so it's surprising that the characters aren't very interesting. Peter Keough-Boston Phoenix Haneke addresses the ravaging effects of aging in a starkly intimate way but Amour oddly lacks affectivity. Something that should be overflowing with emotion is strangely as sterile as Georges and Anne's Parisian apartment. Erick Weber-NECN unforgettable portrait of old age John A. Nesbit-Old School Reviews The audacious performances by both veteran actors are wonderful, and the film never resorts to cheap sentimentality. Todd Jorgenson-Cinemalogue.com Powerful and well-acted, this drama meticulously captures the pain and perils of aging in a way that will be hard to forget. John Hanlon-Big Hollywood Haneke treats Georges and Anne with absolute respect, never pandering to sentiment or cliché and most assuredly not sugarcoating the experience of walking one's partner through suffering, toward death. Alison Gang-San Diego Union-Tribune Haneke doesn't offer easy solutions or pat emotions. He merely offers us a chance to eavesdrop and holds a mirror up to our own fears of old age, hopes for love, and challenges through life. Brian Tallerico-HollywoodChicago.com A confident, lovingly articulated mood piece about a subject that is universal, yet rarely told. Dustin Putman-DustinPutman.com | |
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