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When Akiko (Rin Takanashi), a lovely Tokyo student who moonlights as a call girl, is dispatched to a new client in the suburbs, she is surprised to find the shy and elderly Takashi (81-year-old stage actor Tadashi Okuno), a committed academic constantly distracted by work-related phone calls. The lonely widower seems far more interested in playing house than having sex, however, and the young woman soon falls asleep. The next day, when the two encounter Akiko's volatile boyfriend Noriaki (Ryo Kase), Takashi plays into Noriaki's assumption that he is actually Akiko's grandfather. As the three settle into their new roles, Takashi finds himself becoming the protector that Akiko so desperately needs. (c) Sundance Selects
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Release Date Like Someone in Love Feb 15, 2013 Limited
Genres Like Someone in Love : Art House & International,Drama


Story Line For Like Someone in Love

Total Vote User Like Someone in Love : Visitor
User Ranting Like Someone in Love :
User Percentage For Like Someone in Love : %
User Count Like for Like Someone in Love : 196
All Critics Ranting For Like Someone in Love : 6.4
All Critics Count For Like Someone in Love : 14
All Critics Percentage For Like Someone in Love : 64 %

Actors For Like Someone in Love

Tadashi Okuno,Rin Takanashi,Ryo Kase,Denden

Review For Like Someone in Love

The many trips through Tokyo, filmed incisively from moving vehicles, infuse the rich texture of the city with a startling emotional intensity and a sense of teeming ambient drama ...
Richard Brody-New Yorker

As it turns out, it's the first, not the last, word of the title that's key to this droll, elegant but faintly trying study in emotional artifice.
Guy Lodge-Variety

It lacks the dark streak of unpredictability that made Certified Copy a slightly richer viewing experience. Still, the film is never less than pleasing to watch.
Jon Frosch-The Atlantic

The film constantly toys with the expectations of both its characters and the audience, transforming a classic three-way tale of mistaken identities into something much more mysterious and troubling.
Jordan Mintzer-Hollywood Reporter

The conversation between the elderly professor and the call girl is amusing and mysterious in equal parts.
Harvey S. Karten-Compuserve

Portrait of a cross-generational relationship between an elderly man and a pretty young lady working for an escort service.
Frederic and Mary Ann Brussat-Spirituality and Practice

Plays out as a city-mouse rejoinder to the rustic, open-air daydream of Certified Copy, a snarl of thorny free jazz to that film's graceful aria.
Jesse Cataldo-Slant Magazine

The second film shot abroad (Japan) by Iran's premier auteur Kiarostami is a puzzle-narrative that points to an uneven, perhaps unfinished work.
Emanuel Levy-EmanuelLevy.Com

I was pleasantly disoriented throughout, and I thought the film's final moment was thrilling.
Karina Longworth-L.A. Weekly

To an even greater degree than Copy, this movie about misinterpretation insists on keeping its audience guessing, maintaining an ambiguity about its intentions that lingers well after the final shot.
Ben Kenigsberg-Time Out Chicago

The more you delve, the more resonance you find; the problem is that Kiarostami fails to embed the film's visual, aural and symbolic games in a narrative that satisfies on the level of story and character.
Lee Marshall-Screen International

Kiarostami is once again taking an intriguingly oblique approach to his material.
Geoff Andrew-Time Out

I know there's something happening here, but I don't know what it is.
Mike D'Angelo-AV Club

There are some interesting ideas and sympathetic performances in a superbly shot and fascinatingly controlled exercise. There is potential. But the curtain comes down with an arbitrary crash just as the drama was becoming interesting.
Peter Bradshaw-Guardian [UK]

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